Free PDF Making Your Own Days: The Pleasures of Reading and Writing Poetry
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Making Your Own Days: The Pleasures of Reading and Writing Poetry
Free PDF Making Your Own Days: The Pleasures of Reading and Writing Poetry
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Review
Michael Dirda The Washington Post Book World Kenneth Koch is one of our finest living poets....Making Your Own Days is...exhilarating.David Lehman American Poetry Review A poet of the highest originality....[Koch] has stretched our ideas of what it is possible to do in poetry.Frank Kermode I would recommend Koch's way of teaching poetry above all others. His book is informative, witty, and surprising. It's also authoritative...it is a precious defense of poetry.Ned Rorem Koch is that rare phenomenon, the poet who can write prose -- prose that is necessary and lucid. In his book, he offers a new and healthy dimension to the life of virtually everyone.
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About the Author
Kenneth Koch is the author of many books of poetry, most recently Straits, and won the Bollingen Prize for Poetry in 1994. He has also published fiction and plays, as well as books on the teaching of poetry: Wishes, Lies and Dreams; Rose, Where Did You Get That Red?; and I Never Told Anybody. He lives in New York City, where he is professor of English at Columbia University.
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Product details
Paperback: 320 pages
Publisher: Touchstone (1999)
Language: English
ISBN-10: 0684824388
ISBN-13: 978-0684824383
Product Dimensions:
5.5 x 0.8 x 8.4 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#371,831 in Books (See Top 100 in Books)
As a struggling amateur poet, I found Kochs work so liberating. He reminded me that the purpose of poetry is to bring joy and delight, no matter what the form or content. As he did in his other books, he opens up the delight of reading AND speaking poetry.
I really enjoyed this. I never really "got" poetry, so I enjoy reading other people's journeys of how they fell in love with poetry and why. This book does a good job of explaining and demystifying poetry, making it more accessible. It just made me feel good.
Good boo
Am daunted, in the task of writing a review, by the fact that the previous reviewers all got it exactly right! The late Kenneth Koch (1925-2002), whimsical poet, teacher, and enthusiast for the evangel of poetry here gives us a book ideally suited for any poet or reader from high-schooler to nonagenarian.The first 135 pages of the book are something of an instruction manual, or an explanation of why poetry seems so strange at first. He patiently explains the obvious : sound matters as much as sense; words have musical value; there is a "poetry language" -- or perhaps several poetry languages? -- that we discover through reading anything & everything in sight. He comes up with the happy comparison of poetry as language being put through a synthesizer!He speaks of the need to build up a "poetry base" through much exposure to the poems of the past and present; he "opens up" the Wallace Stevens poem "Anecdote of the Jar" and makes enchanting a poem that irritated me on previous readings; he makes apposite remarks on revision and inspiration ...The latter half of the book is a neat -- but not quite comprehensive, as Koch himself admits -- anthology of poetry from across the globe, & encompassing three millennia. From Li Po (Li Bai) to Lorca, from Sappho to Snyder, from Ovid to O'Hara. Senghor and Cesaire are alongside Ashbery and Wallace Stevens. Marvell and Shakespeare, Whitman and Hopkins and several in between, before and after. Most of the poems are suffixed by a comment by Koch of less than a page (except for Keats's "Bright Star" which he allows to shine by itself!). Especially good, I thought, his brief note on the sonnet by George Herbert, "Prayer," which I have been trying of late to memorize.Excellent reading for the train, the waiting room, the bed, or whatever region of the house you call your workshop or study!!
Extroverted teacher, thinker, humanist, and poet Kenneth Koch has once again contributed a book that is everything its publisher and its reviewers claim. As a teacher - and a famous promoter of poetry, its creation and its creators - he is fun-loving, but also trustworthy. He knows a lot, he is humble and giving, and his goal is that you should know a lot, too. He tells the reader, "Certainly you don't have to be embarrassed by not understanding a poem right away." He succeeds. I took several weeks to read this book. You can't rush through it - it's too rich for that. Half is Koch's tour of poetry. His approach is bracing, stimulating, and calming in turn. It's a course, really, in Koch's approach, which is utterly straightforward, while retaining plenty of respect for language's possibilities for delight, mystery, enchantment, and love.Kenneth Koch admits on page 281 that he does not always understand W.H. Auden. I appreciated that. This book is especially useful for teachers of poetry. The "Anthology of Poems" that comprises the second half of this wonderful book are each followed by wise, interesting, and fresh commentary by Koch. Definitely worth reading.
This is excellent for beginning readers and writers of poetry. In the essays at the beginning, Koch is successful at convincing the reader that poetry is not as hard as we make it out to be. If we relax and don't allow ourselves to be intimidated, we can enjoy poetry. The rest of the book is devoted to groups of poems, each by one poet, thereby allowing the reader to get to know writers' styles. At the end of each section is a poetry writing exercise asking the reader to write a poem in the style they have just read. These are excellent exercises for broadening anyone's writing; they have certainly broadend my own writing. The only criticism that I have of the book is that the poets included are mostly men. I would think that it could have been more inclusive of women, especially the confessional poets such as Plath whose style new poets may grasp. Overall, this is a great book for teachers, writers, and readers.
Great book by a great writer and teacher. (The only bad thing about it is the cover.)
This poem brings a sophisticated contemporary sensibility to poetry in a wholly non-threatening way. Koch writes in a way a child could understand, yet his choice of poetic texts is refreshing. None of the standard Sandburg and Frost stuff that turns intelligent children (and adults) off from poetry.There are some great comments about little-known poets like Joseph Ceravolo.
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